The below short story originally appeared in American Crime Magazine.
"Ruggerio
Reimagined"
By Paul Davis
I was a bit taken aback when
I read about Ruggerio Martino.
I was smoking a cigar and
drinking a cup of coffee in my booklined basement office, flipping through the local newspaper that carried my weekly crime column, when a photo of Martino caught
my eye.
I had not thought about
Martino in years. I knew him originally from the South Philly neighborhood
where we both grew up. He was an oddball. A big guy, but soft and sloppy. The
guys on the corner called him “Baby Huey,” after the cartoon giant baby
character.
Martino was a quiet kid, but
he was teamed up with Edward “Eddie Crow” Esposito, a fast-talking and annoying
skinny kid. They were not part of our crowd, but they often came into the
luncheonette where our street corner gang hung out. We thought of them as
square, goofy guys, as they didn’t drink or get high or do the other things South Philly street guys generally did in the late 1960s.
I left the corner at age 17
when I enlisted in the U.S. Navy and sailed to Southeast Asia on an aircraft
carrier during the Vietnam War. When I returned home two years later, I found
that my crowd had moved exactly one block north from the luncheonette to a
corner bar. Martino and Esposito also drank in the bar, but my old crowd didn’t have much
to do with them.
I broke away from the crowd
in my late twenties when I began to date a beautiful woman whom I eventually
married. I later began working as a crime reporter, which led to my having a
crime column in the local paper.
As I smoked my cigar and
looked at Martino's photo, I thought back to the year 2000. I recalled having a
drink in a corner bar where I knew the owner, Mike DeLisi. I liked DeLisi, a
former boxer and a great cook. His Baked Ziti reminded me of my late Italian
mother's Baked Ziti.
On the night in question,
DeLisi was behind the bar talking to me when Martino and Esposito came in. I
saw that Martino’s baby fat was gone, replaced by an overly muscled body.
Esposito was still a scrawny guy, and he still had a big mouth.
Esposito saw me and rushed
over to shake my hand.
“Hey, Paulie. Do you remember
me? I'm Eddie Crow?”
“Yeah,” I replied. “I
remember you. How are you?”
“I’m good. Fucking good. Hey,
Ruggerio, come over and say hello to Paulie Davis from the old corner.”
Martino walked over slowly
and shook my hand and nodded.
“Hey, Mike, we knew this guy
from the corner before he was a big-shot newspaper guy.”
“I don’t know about that,” I
said. “I’m hardly a big-shot.”
“I read your articles every
week in the paper. I love it. I tell everybody I knew you from the old
corner."
Esposito asked DeLisi for a
beer and turned back to me.
"I could tell you some
things, you know, confidentially like," Esposito said. "What do you call
it, off the chart?”
“Off the record,” I
replied.
“Yeah.”
Martino poked Esposito and
turned his head towards a guy drinking at the end of the bar.
“Hey, Paulie, I got business
I have to take care of. Good to see you again.”
Esposito walked down to the
guy at the end of the bar.
“You know those assholes,
Paul?”
“I knew them from the old neighborhood.”
“They’re potato chip
gangsters. Esposito is a collector for Big Rocco. You know him?”
“No.”
"He runs a gambling and
loan-shark operation. When these two clowns started coming in here, I
asked Rocco if they were with him, because they were throwing his name around,
acting like big shots,” DeLisi said. “Rocco told me Eddie Crow collected small
time for him, but he’s a nobody. I don’t like him or Ruggerio. Ruggerio is always trying to
look tough. He’s big, but I don’t think he’s so tough."
From that night on, DeLisi
and I got a kick out of watching the two would-be-gangsters act out in the
bar.
One night Esposito was trying
to impress a young girl at the bar. We heard her ask him why he was called
Eddie Crow.
“They call me Crow because
crows are wise birds.”
I leaned over to Mike and said
he was called Crow as a kid because his black hair and hooked beak nose made
him look like the cartoon crow from Disney’s Dumbo movie.
DeLisi laughed.
“You know, last year Eddie was
parking cars for Longo’s restaurant, and I slipped him a five,” DeLisi recalled.
“He followed me to the door of the restaurant and kissed my ass. Now he’s a
gangster. Wise bird, my ass.”
But as funny as Eddie Crow
was, Martino, the once quiet Baby Huey, was even more amusing.
Martino was always speaking
awkwardly to the girls and trying to impress them. One night in the bar, DeLisi
and I heard Martino say in his half-mumbling, half-stuttering way that he had
served in Vietnam.
“I was a tunnel rat in
Vietnam.”
“Oh, really,” the girl
replied politely. “What’s a tunnel rat?”
“I used to crawl into the tunnels and go after them Viet Cong.”
“I’m glad to see you came
home safe,” the girl said as she slid away from the hulking man at the
bar.
“Bullshit,” I said to Delisi.
“He wasn’t even in the service, let alone a tunnel rat. Can you imagine that
hulk crawling through a tunnel?"
“Yeah. That pisses me off,”
said DeLisi, a genuine Vietnam veteran. “I ought to say something.”
“Well, you saw the girl
wasn’t impressed. She didn’t care if he was in the war or not.”
Delisi agreed to let it
go.
Another night in the bar we
watched and listened to Martino tell two girls that he was a street tough. That
image was not aided by Martino drinking a “Dirty Shirley,” a fruity mixed
drink.
“South Philly has changed, so
you girls got to be careful. Back in the day, we were tough guys on the corner
and we was always fighting each other in gang fights, but we didn’t bother no
girls or rob old ladies.”
DeLisi and I laughed.
“I'll bet the biggest
fight Ruggiero ever had was with a banana sundae,” DeLisi said.
“I don't think the big doofus
ever had a fight in his life,” I said.
On yet another night, Martino
worked his so-called charm on a young woman.
“I been with a lot of girls
in my time, but ah, you got the prettiest eyes. What color is they?”
DeLisi and I covered our
mouths to prevent us from laughing aloud, as the young woman made her excuses
and bolted for the door.
“I never saw him talk with a girl
when I knew him,” I said.
We laughed as we watched and
listened to Martino as he struck out with girls night after night.
One night, I overheard
Esposito talking to Martino at the bar.
“You’re a big guy, Ruggerio.
Look at you. Are you going to let that fucking guy talk to you like that?”
Esposito said. “You ought to go down there and straighten him out.”
Martino nodded and downed his
fruity drink like it was rotgut whiskey from a Wild West saloon. He stepped off
his bar stool and headed down the bar.
I called DeLisi over and warned
him that there might be trouble.
“Fuck off, ya big slob,” I
heard the guy at the bar tell Martino.
The man at the end of the bar
was Billy Leto. I could see that he was drunk. Leto was of average height, but
he didn’t look like he was afraid of the massive guy towering over him.
“Knock him out, Ruggerio,”
Esposito said, taunting his friend.
"Yeah, try it, Fatso,”
Leto said.
“Hey, hey,” DeLisi called
out. “Take that shit outside. There’s no fighting in here.”
“Ya want to go outside,
Fatso?”
Martino’s face reddened. No
one had called him fat in years, and it stunned him.
“Let’s go, motherfucker,”
Esposito said to Leto.
The men went outside to the
sidewalk. The bar cleared out to watch the fight. I stood with DeLisi on the
steps as the two men went into boxing stances. Martino stepped in and swung a
wild hook at Leto, who stepped back easily to avoid the blow. Leto countered
with a series of blows to Martino’s head and body. Martino was unable to block
any of the blows and he began to bleed from his nose.
Esposito, like a corner man
in a movie, pushed Martino towards Leto with instructions to punch his opponent
in the jaw. Martino swung again, and again he missed his target. Leto then
delivered several combos to Martino's face and head. It looked like Leto
was pounding on a punching bag.
Esposito, seeing that his
friend was clearly outclassed, pulled a .38 revolver out of his pocket and
pointed it at Leto.
“Whoa, whoa,” DeLisi yelled.
“No fucking guns here. Put that fucking thing away or I’ll shove it up your
ass.”
Esposito saw the anger in
DeLisi’s face, and he slipped the gun back into his pocket.
Martino fell back heavily against a
parked car as the blood flowed from his nose. Leto laughed and looked at his
bloody hands.
“Look how I fucked up my
hands hitting this fucking refrigerator,” Leto said to his friends.
They all laughed and then
they climbed into a car and drove off.
“You and Martino are barred
from here,” DeLisi said. “I don’t want to see your ugly fucking faces
again.”
“Yeah? We’ll see what Big
Rocco says about that,” Esposito replied.
"I’m going to call him
right now and tell him what a pair of clowns you guys are.”
With that, Esposito took
Martino’s arm and they walked down the street.
Everyone else went back into
the bar.
“Not much of a fucking fight,” DeLisi said. “Ruggerio is still a Baby fucking Huey.”
It was the year 2000, a new century, so I suppose Martino felt that he had to adapt from a Baby Huey doofus to his reimagined persona as a street tough and hardened Vietnam veteran. But that persona was crushed brutally in the fight outside the bar.
As I reread the piece on
Martino, I felt bad for him. The newspaper story reported that Martino attempted to stop
an armed robber from holding up a store. According to the piece, Martino
advanced on the armed robber, and when the robber saw this big man moving down
on him, he opened fire and shot Martino in the chest. The robber fled as
Martino bled out on the store’s floor.
Esposito was quoted in the
piece, stating that Martino was a true hero. He told the reporter that Martino
was a highly decorated Vietnam veteran, so the headline read, “Decorated
Vietnam Veteran Murdered Preventing Robbery.”
I picked up my phone and
began to call the reporter to set the record straight about Martino. But I
paused, and then I laid my phone down.
© 2022 Paul Davis