As I’ve noted here before, I think Joseph Wambaugh is a brilliant novelist and nonfiction author.
Joseph Wambaugh, the author of such classic police novels as The New Centurions and The Choir Boys, and classic nonfiction books as The Onion Field and Fire Lover, has secured his place in American literature.
I’m thankful that I’ve been able to interview the former LAPD Sgt. and best-selling author on numerous occasions. I’m also thankful that I’ve been able to correspond with him over the years.
I happened to come across a
fine essay about Joseph Wambaugh by Kevin Mims at Quillette:
In 1971, at the age of 34, Joseph Wambaugh, published his first novel, The New Centurions, while he was still an officer with the Los Angeles Police Department. The story followed the fortunes (and misfortunes) of three LAPD rookie cops, all of whom joined the force together in 1960, the same year that Wambaugh did. The book was published in January, and by February 7th, it was the 10th bestselling work of fiction in the country. By March 28th, it had jumped to the third spot, surpassing Erich Segal’s Love Story, which had dominated the list for 57 consecutive weeks. Not until October 3rd—eight months after it first appeared on the list—did Wambaugh’s novel finally fall out of the top 10.
But The New Centurions was
more than just a commercial blockbuster; it was also an important piece of
American literature. And it remains as relevant today as it ever was. It is a
story of police brutality, racism, public unrest, systemic rot, poverty, and
the seemingly everlasting tension between American police departments and the
communities they are supposed to protect and serve. Ernest Hemingway once
declared that, “All modern American literature comes from one book by Mark
Twain called Huckleberry Finn.”
You could just as truthfully assert that all modern cop literature comes from
one book by Joseph Wambaugh called The New Centurions.
In fact, plenty of knowledgeable people have made that claim, including Michael
Connelly, creator of the Harry Bosch novels, who wrote, “Joseph Wambaugh is the
master of the modern police novel—no, scratch that, he invented the modern
police novel.”
You can read the rest of the piece via the below link:
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